{"id":9,"date":"2013-04-08T12:05:00","date_gmt":"2013-04-08T16:05:00","guid":{"rendered":"http:\/\/www.davidhowardpsychologist.com\/blog\/?p=9"},"modified":"2013-04-08T12:05:00","modified_gmt":"2013-04-08T16:05:00","slug":"second-violin","status":"publish","type":"post","link":"https:\/\/www.davidhowardpsychologist.com\/blog\/?p=9","title":{"rendered":"Second Violin"},"content":{"rendered":"<div><a href=\"http:\/\/1.bp.blogspot.com\/-frzkx0y-GBU\/UWL4F9LFhyI\/AAAAAAAAD6k\/oKEa2puiHoQ\/s1600\/violin.JPG\" imageanchor=\"1\"><img decoding=\"async\" border=\"0\" mta=\"true\" src=\"http:\/\/1.bp.blogspot.com\/-frzkx0y-GBU\/UWL4F9LFhyI\/AAAAAAAAD6k\/oKEa2puiHoQ\/s1600\/violin.JPG\"><\/a><\/div>\n<div><span><span>This has been a weekend of music: Daniel Taylor, a world class tenor backed by his choir of &#8216;students&#8217; from U of T singing the most stunning sacred music in a pro bono concert in the afternoon. Then the InnerChamber unleashing a Haydn and a Brahms string quartet in the evening. All this preceded by <i>A Late Quartet<\/i>, a compelling film exploring the dynamics and the dialogue that flows, often unheard, below the music itself.<\/span><\/span><\/div>\n<div><\/div>\n<div><span><span>Two comments: one from Andrew Chung, the leader of the InnerChamber group and a second from Philip Seymour Hoffman, who plays the second violinist in the above film, form the backdrop of this weeks ramble. &#8216;Among other things, what appeals about the Haydn is the equality of conversation amongst the four instruments. Sure, the first violin has some of the spicy bits, but. . . &#8216;, from Andrew, playing second in this quartet. From Hoffman: &#8216;Without the second to add color, texture, linkage, transition, there&#8217;s no quartet&#8217;. <\/span><\/span><\/div>\n<div><\/div>\n<div><span><span>I was reminded of a comment attributed to a colleague: &#8216;I&#8217;d rather have impact than importance; effectiveness than fame&#8217;. At the risk of sounding maudlin, I have a strong affection for, identification with the &#8216;second violin&#8217; &#8212; or more properly, the second violinist. On my childhood street, my best friend, Larry, was the son of a doctor. He was thin, good looking, with a social ease and unselfconscious style that made him very popular with the girls; and a bit of a sought after &#8216;buddy&#8217; to the guys who could count on benefiting from their social proximity to him. My first &#8216;opportunity&#8217; to play second violin.<span>\u00a0 <\/span>Absent any swagger or arrogance, Larry just moved through his world, largely unaware that he occupied the &#8216;first chair&#8217;. It was the rest of us who were acutely conscious of playing &#8216;second fiddle&#8217;. And we had a choice: we could resent it; or we could focus on the skill sets that shone a little less brightly in those heady high school days. For some of us it became academics &#8212; accompanied by what came to be known as &#8216;Larry&#8217;s leavings&#8217;. <\/span><\/span><\/div>\n<div><\/div>\n<div><span><span>Fast forward three or so decades. My longtime business partner, Rick Graff, and I are starting our private practice. Not exactly a coin toss to decide the moniker that would define our partnership &#8212; but in those days, the preferred protocol for naming a practice required a single practitioner&#8217;s name be used. For various reasons, we decided to christen the new enterprise: <i>Rick Graff &#038; Associates<\/i>. Just out of sight, in the <i>Associates<\/i> section, are a contingent of skilled and experienced practitioners, part of the &#8216;orchestra&#8217;, out of the spotlight. An excellent partnership over the intervening 20 years, once again I&#8217;ve had the opportunity to focus on the aspects of psychology that interest me in addition to clinical work &#8212; that would be the building of a business, expanding the compliment of practitioners, seemingly providing the &#8216;glue&#8217; that acts to keeps our &#8216;herd of cats&#8217; more or less on the same path. Attending to the &#8216;color, texture, linkages, and transitions&#8217;. Second violin.<\/span><\/span><\/div>\n<div><\/div>\n<div><span><span>My musical weekend has underscored two significant awarenesses for me &#8212; both with implications for mindfulness practice. The first is one of <b><i>ego<\/i><\/b> and cultivating a clear consciousness and acceptance of the role which one plays &#8212; not to belabor the metaphor. Neither Larry nor Rick are defined by their ego &#8212; both, in my experience of them, have been modest, unassuming friends. Each in their own way wearing the mantle of &#8216;the first chair&#8217; without pretension; neither grasping after nor clinging or aspiring to that &#8216;part&#8217;. Equally, to maintain the &#8216;chemistry&#8217; between us requires a certain &#8216;ego-less&#8217; posture on the part of &#8216;the second violin&#8217;.<span>\u00a0 <\/span>A delicate balance to be sure &#8212; and one that fosters the second awareness: <b><i>community<\/i><\/b> &#8212; or, from the musician&#8217;s perspective, the conversation and harmony of players playing their part. <\/span><\/span><\/div>\n<div><\/div>\n<div><span><span>A community, whether of practitioners or musicians &#8212; an association or a quartet or a choir &#8212; demands &#8216;rehearsal&#8217;, dialogue, and a variety of &#8216;instruments&#8217;. Its strength derives from its diversity and role-awareness; its readiness to adopt shared goals. Daniel Taylor&#8217;s choir finished their afternoon with a haunting piece of Tavener: perfectly balanced, split on either side of the church, each chorister singing in their assigned register. Taylor&#8217;s pure tenor soloist voice is a compelling &#8216;first&#8217;; the choir, a testament to the &#8216;conversation&#8217; that adds the &#8216;texture. . .&#8217;<\/span><span><\/p>\n<p><\/span><\/span><\/div>\n","protected":false},"excerpt":{"rendered":"<p>This has been a weekend of music: Daniel Taylor, a world class tenor backed by his choir of &#8216;students&#8217; from U of T singing the most stunning sacred music in a pro bono concert in the afternoon. Then the InnerChamber unleashing a Haydn and a Brahms string quartet in the evening. All this preceded by [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/www.davidhowardpsychologist.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/9"}],"collection":[{"href":"https:\/\/www.davidhowardpsychologist.com\/blog\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.davidhowardpsychologist.com\/blog\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.davidhowardpsychologist.com\/blog\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.davidhowardpsychologist.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9"}],"version-history":[{"count":0,"href":"https:\/\/www.davidhowardpsychologist.com\/blog\/index.php?rest_route=\/wp\/v2\/posts\/9\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.davidhowardpsychologist.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.davidhowardpsychologist.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.davidhowardpsychologist.com\/blog\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}